A re-enactment of the legend of the white serpent (白蛇传), an ancient Chinese folktale, the film traces a serpent spirit through its transformative states of gender and identity. It evolves from a formless being to a man, woman, both, and neither.
A re-enactment of the legend of the white serpent (白蛇传), an ancient Chinese folktale, the film traces a serpent spirit through its transformative states of gender and identity. It evolves from a formless being to a man, woman, both, and neither.
Junn Zhou is an artist, filmmaker, and researcher with an interdisciplinary background in development study and art design. Positioning herself as an outsider in exile, she employs trickery and cunning to navigate systems, using film, writing, divination and performance as tools for decolonial critique and practice.
Screening as part of Under Scales, Beyond Skin.