This hybrid documentary offers a glimpse of queer parenthood in Singapore, where such families are illegitimate in the eyes of the law. It borrows its title from Ursula K. Le Guin’s rendition of the Dao De Jing and refers to the dichotomy of water and stone. By gathering sensibilities of the natural world, Eastern cosmology, and interdependence, the film presents queerhood as an open field of possibility, one brimming with life that is to come.